The question as to what constitutes art is hardly a (i) one. Today, artists exist whose main goal seems only to subvert work that no longer warrants the trite tag “cutting-edge.” Once the proverbial envelope is pushed even further, the public inevitably scratches its collective head – or furrows the collective brow – thinking that this time the “artists” have (ii). That very same admixture of contempt and confusion, however, was not unknown in Michelangelo’s day only what was considered blasphemous, art-wise, in the 16th Century, would today be considered (iii).
Blank (i)
perennial
contemporary
controversial
Blank (ii)
served their purpose
gone too far
failed to provoke
Blank (iii)
hackneyed
reverent
tame