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OFFICIAL44 According to paragraph 3, Hockney believes that all of the following indicate use of a camera obscura EXCEPT

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The Use Of The Camera Obscura
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The precursor of the modern camera, the camera obscura is a darkened enclosure into which light is admitted through a lens in a small hole. The image of the illuminated area outside the enclosure is thrown upside down as if by magic onto a surface in the darkened enclosure. This technique was known as long ago as the fifth century B.C. in China. Aristotle also experimented with it in the fourth century B.C., and Leonardo da Vinci described it in his notebooks in 1490. In 1558 Giovanni Battista Della Porta wrote in his twenty-volume work Magia naturalis (meaning "natural magic") instructions for adding a convex lens to improve the quality of the image thrown against a canvas or panel in the darkened area where its outlines could be traced. Later, portable camera obscuras were developed, with interior mirrors and drawing tables on which the artist could trace the image. For the artist, this technique allows forms and linear perspective to be drawn precisely as they would be seen from a single viewpoint. Mirrors were also used to reverse the projected images to their original positions.

Did some of the great masters of painting, then, trace their images using a camera obscura? Some art historians are now looking for clues of artists' use of such devices. One of the artists whose paintings are being analyzed from this point of view is the great Dutch master, Jan Vermeer, who lived from 1632 to 1675 during the flowering of art and science in the Netherlands, including the science of optics. Vermeer produced only about 30 known paintings, including his famous The Art of Painting. The room shown in it closely resembles the room in other Vermeer paintings, with lighting coming from a window on the left, the same roof beams, and similar floor tiles, suggesting that the room was fitted with a camera obscura on the side in the foreground. The map hung on the opposite wall was a real map in Vermeer's possession, reproduced in such faithful detail that some kind of tracery is suspected. When one of Vermeer’s paintings was X-rayed, it did not have any preliminary sketches on the canvas beneath the paint, but rather the complete image drawn in black and white without any trial sketches. Vermeer did not have any students, did not keep any records, and did not encourage anyone to visit his studio, facts that can be interpreted as protecting his secret use of a camera obscura.

In recent times the British artist David Hockney has published his investigations into the secret use of the camera obscura, claiming that for up to 400 years, many of Western art’s great masters probably used the device to produce almost photographically realistic details in their paintings. He includes in this group Caravaggio, Hans Holbein, Leonardo da Vinci, Diego Velazquez, Jean-Auguste-Dominique Ingres, Agnolo Bronzino, and Jan van Eyck. From an artist’s point of view, Hockney observed that a camera obscura compresses the complicated forms of a three-dimensional scene into two-dimensional shapes that can easily be traced and also increases the contrast between light and dark, leading to the chiaroscuro effect seen in many of these paintings. In Jan van Eyck’s The Marriage of Giovanni Arnolfini and Giovanna Cenami, the complicated foreshortening in the chandelier and the intricate detail in the bride’s garments are among the clues that Hockney thinks point to the use of the camera obscura.

So what are we to conclude? If these artists did use a camera obscura, does that diminish their stature? Hockney argues that the camera obscura does not replace artistic skill in drawing and painting. In experimenting with it, he found that it is actually quite difficult to use for drawing, and he speculates that the artists probably combined their observations from life with tracing of shapes.

9.According to paragraph 3, Hockney believes that all of the following indicate use of a camera obscura EXCEPT

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【题目翻译】根据第3段,霍克尼认为,以下所有情况都表明使用了摄像机暗箱,除了 A:非常详细,现实的工作 B:增加了明暗对比度 C:图像跟踪时形式过于简单化 D:物体的复杂投影缩短 【判定题型】:根据题干中出现的大写“EXCEPT”/"NOT" 等其他明显表示否定的词,可以判定本题为否定事实信息题,需要找出与原文信息不符的那个答案。 【关键词定位】根据题干关键词use of a camera obscura,可以将出题范围锁定在Passage 3。 【选项分析】 选项A非常详尽的、逼真的作品。与原文细节used the device to produce almost photographically realistic details in their paintings一致;正确 选项B增加光和暗色之间的对比,与原文细节信息also increases the contrast between light and dark一致;正确 选项C中的oversimplification过于简化与原文信息相悖;错误 选项D物体复杂的投影缩减法,与原文细节信息the complicated foreshortening in the chandelier and the intricate detail in the bride’s garments are among the clues that Hockney thinks point to the use of the camera obscura一致。正确

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